"Ce qui nous échappe"

With Ce qui nous échappe, Pauline Cordier and Rahel Oberhummer take over Espace ContreContre in a thematic and spatial dialogue revolving around water, the relationship with living things and human attempts to control the organic and mineral worlds. Rahel Oberhummer's glass sculptures, vertical elements placed in the center of the space, resonate with Pauline Cordier's floor drawing, which extends over the entire surface of the space. Together, these elements are bathed in a yellowish light that alters our perception of the works and the environment, creating a form of alertness in the space that is both diffuse and silent.


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