Selection 25

One month before the end of the year, the Aargauer Kunsthaus opens its doors to regional art and presents the selection in collaboration with the Aargauer Kuratorium. The diversity, dynamism and potential of Aargau's artists can be experienced in around 50 works. More than 150 dossiers were submitted this year. The jury appointed jointly by the Aargauer Kunsthaus and the Aargauer Kuratorium will decide on participation in the selection 25.

As part of the selection process, the Aargau Board of Trustees awards grants and subsidies in the fields of visual arts and performance.

Artists
Georg Aerni, Silvia Bächli, Khalil Berro, bittelangsam (Heiko Schätzle and Andrea Züllig), Johanna Bossart, Leonie Brandner and Nina Guo, Claudia Breitschmid and Samuel Haettenschweiler, Patricia Bucher, Erich Busslinger, Mattia Comuzzi, Andreas Dobler, Félicia Eisenring, Tatjana Erpen, Tom Fellner, Pearlie Frisch, Gaby Fust, Christina Gähler, Andrea Gerber, Eva Maria Gisler, Otto Grimm, Stefan Gritsch, Eric Hattan, Nadia Hauri, Thomas Hauri, Valentin Hauri, Géraldine Honauer, Esther Hunziker, painter duo Bošković-Scarth (Lorenz Bachofner Bošković and Vincent Scarth), Anita Mendler, Dominic Michel, Isabelle Morton, Claudio Moser, Sadhyo Niederberger, Susanna Perin, Levent Pinarci, Tristan Amor Rabit, Andrea Ricklin, Lea Schaffner, Marco Schürpf, Veronika Spierenburg, Jürg Stäuble, Jonas Studer, Paul Takács, Timo Ullmann, Evelyn Vonesch, Nick Walter and Tara Cunningham, Linus Weber, Andrea Winkler and Stefan Panhans, Rolf Winnewisser, Agatha Zobrist

Guest artist: Angela Anzi
Based on belladonna (Atropa belladonna), which has always oscillated between seduction, healing effects and danger, Angela Anzi (*1981) draws on stories from Greek mythology and early modern times. In Poisonous Potentials (2025), the artist uses sound elements to develop an expansive scenery of solid bodies and ephemera. Anzi combines a ceramic hand and three vascular flutes hanging in the room with sounds to create an atmospheric interplay. In this way, she expands the boundaries of sculpture into a multi-sensory installation.


Note: This text was translated by machine translation software and not by a human translator. It may contain translation errors.