06.09.2026 17:00 - 18:30
Ehemaliges Kloster St.Urban, Festsaal, Schafmattstrasse 1, 4915 St. Urban
Adults CHF 30.00; reduced price for adults (students, culture pass) CHF 15.00; children and young people up to 20 years free of charge; solidarity price CHF 45.00
The Grenzklang Barockensemble presents works for violas d'amore and oboe d'amore in all their sonority.
The instruments of the d'amore family are characterized by their warm, expressive timbre. The viola d'amore and oboe d'amore in particular exemplify this aesthetic, whose name refers to the "sweet" tone in comparison to related instruments.
At the heart of the program is the interplay of two violas d'amore and an oboe d'amore in changing chamber music formations. Works by both well-known and less frequently performed composers unfold a broad spectrum of expressive forms - from gentle melancholy and elaborate contrapuntal structures to the elegant style of the late Baroque.
For years, Grenzklang has stood for carefully curated programs with special instrumentations and selected concert venues. The long-standing musical collaboration between the participants is characterized by mutual trust, a keen sense of individual strengths and a shared artistic vision that goes beyond the interplay of individual voices.
Grenzklang Baroque Ensemble:
Annette Kappeler - Viola d'amore
Mojca Gal - viola d'amore
Sabina Weyermann - oboe d'amore, recorder
Dominique Tinguely - recorder, bassoon
Dina Kehl - viola da gamba
Rainer Walker - harpsichord
Niels Pfeffer - lute
Johann Sebastian Bach (1685-1750)
Sinfonia from the cantata BWV 152 "Tritt auf die Glaubensbahn" (Weimar, 1714)
Heinrich Ignaz Franz Biber (1644-1704)
Harmonia artificioso-ariosa, Suite VII in C minor for two violas d'amore and basso continuo
(published 1712, Nuremberg)
Georg Böhm (1661-1733)
Trio in G major for viola d'amore, oboe d'amore and bassoon
(manuscript, attribution uncertain, possibly from Böhm's circle)
Johann Schuchbauer (ca. 1710-after 1758)
Trio for two violas d'amore and basso continuo
(Preserved in manuscript form, possibly composed at the court in Mannheim or Salzburg)
Johann Joachim Quantz (1697-1773)
Trio in A minor for oboe d'amore, flauto traverso and basso continuo
SLUB Dresden, Mus. 2470-Q-39
Johann Gottlieb Janitsch (1708-1763)
Quartet in E minor for oboe d'amore, two violas and basso continuo, op. 5B
(Berlin Singakademie, ca. 1750)
Seats are not numbered. Free choice of seats. Box office open from 16.15.
Note: This text was translated by machine translation software and not by a human translator. It may contain translation errors.
At the heart of the program is the interplay of two violas d'amore and an oboe d'amore in changing chamber music formations. Works by both well-known and less frequently performed composers unfold a broad spectrum of expressive forms - from gentle melancholy and elaborate contrapuntal structures to the elegant style of the late Baroque.
For years, Grenzklang has stood for carefully curated programs with special instrumentations and selected concert venues. The long-standing musical collaboration between the participants is characterized by mutual trust, a keen sense of individual strengths and a shared artistic vision that goes beyond the interplay of individual voices.
Grenzklang Baroque Ensemble:
Annette Kappeler - Viola d'amore
Mojca Gal - viola d'amore
Sabina Weyermann - oboe d'amore, recorder
Dominique Tinguely - recorder, bassoon
Dina Kehl - viola da gamba
Rainer Walker - harpsichord
Niels Pfeffer - lute
Johann Sebastian Bach (1685-1750)
Sinfonia from the cantata BWV 152 "Tritt auf die Glaubensbahn" (Weimar, 1714)
Heinrich Ignaz Franz Biber (1644-1704)
Harmonia artificioso-ariosa, Suite VII in C minor for two violas d'amore and basso continuo
(published 1712, Nuremberg)
Georg Böhm (1661-1733)
Trio in G major for viola d'amore, oboe d'amore and bassoon
(manuscript, attribution uncertain, possibly from Böhm's circle)
Johann Schuchbauer (ca. 1710-after 1758)
Trio for two violas d'amore and basso continuo
(Preserved in manuscript form, possibly composed at the court in Mannheim or Salzburg)
Johann Joachim Quantz (1697-1773)
Trio in A minor for oboe d'amore, flauto traverso and basso continuo
SLUB Dresden, Mus. 2470-Q-39
Johann Gottlieb Janitsch (1708-1763)
Quartet in E minor for oboe d'amore, two violas and basso continuo, op. 5B
(Berlin Singakademie, ca. 1750)
Seats are not numbered. Free choice of seats. Box office open from 16.15.
Note: This text was translated by machine translation software and not by a human translator. It may contain translation errors.
Contact
Verein Grenzklang
Busswilstrasse 8
4917 Melchnau